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Discurriendo sobre la noción de cuadro, P. Dubois nos advierte de aquello que queda fuera, que es negado (off). En el caso de la fotografía o video, dicho espacio se activa con un dispositivo que registre, por ejemplo, en 360 grados.
Si un cuadro que representa está inscrito dentro en una esfera, no es plano de representación; es él mismo parte de lo representado. Si esto es posible, pareciera que todo es posible. En Baja California, dicen F. Jordán y F. Campbell, el tiempo parece haberse suspendido, a la espera de un acontecimiento insospechado.
Reflecting on the idea of the pictorial space, P. Dubois observes that whatever remains outside of the frame is negated (off).
In the case of photography or video, this space outside the frame can be activated with a device that registers a 360 degree view. If a picture that represents that landscape is inscribed within a sphere, then it is not the plane of representation, the frame itself is part of what it is depicted. If this is possible, it would seem that anything is possible.
In Baja California, according to F. Jordán and F. Campbell, time appears to be suspended, waiting for the unforeseen event.
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